Film-essay "Animalaise – Becoming Animal in Experimental Cinema" published in [in]Transition: Journal of Videographic Film & Moving Image Studies (nº12.3/2025) special edition on Ecocriticism and Animal Studies. [in]Transition is an indexed journal published by the Open Library of Humanities (OLH) and owned by SCMS. This blind peer-reviewed scientific journal was awarded the "2015 Anne Friedberg Award for Innovative Scholarship of Distinction" by the Society for Cinema and Media Studies...

Primeira colaboração com o jornal Público em Portugal.  Escrevi uma crítica sobre os filmes brasileiros em competição no Grand Prix da FIPRESCI 2025: Ainda Estou Aqui (Walter Salles) e O Agente Secreto (Kleber Mendonça Filho). Muito já se escreveu sobre ambos, mas uma diferença ainda pouco explorada merece destaque: embora situados na ditadura militar (1964-1985), cada filme propõe uma visão radicalmente distinta da História e do papel do cineasta enquanto “historiador”. Nesta crítica analiso...

“Haunted Home Movies — Dialectical Image and the Archive Fever in Contemporary Found Footage Films” has been published in RCL – Revista de Comunicação e Linguagens / Journal of Communication and Languages, issue 62 (2025), edited by Catarina Laranjeiro and Inês Sapete Dias. In this scientific article, I examine how two films made entirely from home movies — Happy End (1996), by Peter Tscherkassky, and Private Footage (2022), by Janaína Nagata — revisit personal archives to engage critically...